Portland, OR: Artist, 2021. First edition thus. (28) pp., 5.25 x 7.75 inches (closed). Altered book, with images printed over text pages, in an accordion binding attached at one end to the original cloth covers, in the original dust-jacket. Signed and numbered by the artist, in an edition of four.....
Portland, OR: Artist, 2020. First edition thus. (33) pp., 5 x 7.25 inches (closed). Altered book, with images printed over text pages, in an accordion binding attached at one end to the original cloth covers. Signed and numbered by the artist, in an edition of two variant copies. As new.....
Edinburgh: Arika, 2012. First printing. 36 pp., 8vo. Saddle-stapled into printed self-wrappers. Published for Arika’s “A survey is a process of listening” program as part of the 2012 Whitney Biennial. New. Poet and critic Dworkin gathers excerpts from innovative contemporary poetic texts, which he presents, with commentary, as examples of.....
Cambridge, UK: Golden Head Press, 1966. First printing. (6) + 11 pp., 8.75 x 11.25 inches. With a prefatory note by Raymond Lister. One of 225 copies, with plates printed in collotype; bound in quarter-cloth and paper over boards, with printed cover label. Mild bumps to corners and light soiling.....
Los Angeles: n.p., 1966 (1971). Second printing. (53) pp.; 5.5 x 7 inches (closed), 25 feet x 7 inches (open). Offset accordion-folded sheets, tipped together and glued into wraparound printed card covers, in reflective mylar over card slipcase. The second printing of 5000 copies, from 1971, without the additional flap.....
Hollywood, CA: Heavy Industry Publications, 1971. First printing. (63) pp., 5.5 x 7 inches. Perfect-bound in printed card covers. Photos by Jerry McMillan. Signed by the artist. A nearly immaculate copy; the slightest hint of sunning to spine and lower edge, but tight and bright and essentially as new. Photographs.....
Los Angeles: 1970. Second edition. (44) pp., 5.5 x 7 inches. Sewn signatures glued into printed card covers, in glassine dust-jacket. Second edition of 3000 copies (printed by Anderson, Ritchie and Simon), after the first edition of 700 copies published in 1965. Signed by the artist. A very fine copy.....
Lowell, MA: Bootstrap Press, 2006. First printing. 297 pp., 16mo. Positively Past Post-Modern Poet Series #4. One of 1000 copies, perfect-bound in illustrated wrappers. Including a section, "One Hundred People You Should Know," pairing quotes and excerpts from writers and artists with portrait drawings, on facing pages. Very light edgewear.....
Verona, Italy: Archivio Francesco Conz, 2001. First printing. 63 pp., 5.75 x 8.25 inches. Sewn signatures glued into printed card covers. With nine color reproductions of artworks, and five documentary photographs in black-and-white. Printed in an edition of 1000 copies. Foreword by Francesco Conz, essays by Rita Bottoms (“The Subversive.....
London: The Tea Centre, 1958. First printing. 18.75 x 26.25 inches. Vintage color lithographic poster designed by Fornasetti, with a self-portrait of the artist placed in a sun-figure on a painter's palette. Two or three very small closed edge tears; a fine, bright copy that otherwise is essentially as new.....
Santa Monica, CA: Smart Art Press, 1996. First printing. (48) pp., 7 x 10 inches. Perfect-bound in printed card covers. Designed by Mark Stritzel. Illustrated with black-and-white photographs throughout. Corners bumped, and a small scar from label removal on back cover, otherwise very good. The catalogue of a three-day event.....
Portland, OR: Portland Art Museum, 1959. First printing. 10.5 x 4.25 inches (folded). Eight pamphlets, each printed on both sides of a large sheet, folded to make eight pages. Printed by Litho Art in Portland, in an unspecified edition, on the occasion of the Northwest Poetry Meetings held at the.....
![Item #4588 Photographic and Actual Works [with] Actual Size. Michael Heizer](/pictures/thumb/4588_1.jpeg?v=1657588466)
Detroit: Detroit Institute of Arts, 1971. First printing. (32) pp., 10 x 8 inches; (28) pp, 9.75 x 7.25 inches. Photographic and Actual Works: Slight toning and soiling to wrappers, tiny chip from corner of front wrapper and two tiny closed tears to rear wrapper, a few mild creases, generally.....
New York: Money for Food Press, n.d. (circa 1977). First printing. (12) pp., 6 x 6 inches. Stapled into printed card covers. Edition size not stated. Very light soiling and minor creases to the oversize wrappers; internally fine. Signed by both artists. Documentation of a series of actions carried out.....
Portland, OR: Author, 1992. Original work. 7.5 x 9.5 inches (image area). Pastel (oil crayon?) drawing on paper. Signed and dated in ink on reverse. Moisture stains to reverse, not affecting image, otherwise very good, in simple wood frame with a few small nicks and scrapes. The story that accompanied.....
New York: Bound & Unbound, 1991. First printing. 12.25 x 20 inches, silkscreen poster on cardstock, issued in a very small print run. Published on the occasion of a solo exhibition at Barbara Moore's Bound & Unbound shop & gallery. Very light scuffing to edges, not affecting image, otherwise very.....
Vancouver: Artspeak Gallery, 1999. First printing. (16) pp., square 12mo. Exhibition catalogue, with installation photos, drawings (on inside covers), essays by Susan Edelstein and Kathleen Ritter, and poems by Sarah Wakefield. Light soiling to covers, otherwise very good in saddle-stapled wrappers.
Rhinebeck, NY: Station Hill, 1978. First printing. Staplebound. Oblong 8vo, [14] pp., b/w illustrations. No. 499 of an edition of 750 copies. Wrappers faintly foxed, lightly edgeworn, corners lightly bumped; internally very good.
New York: Printmaking Workshop, 1992-93. First printing. 62 pp., 9 x 8.75 inches, stapled into printed card covers; 64 pp., 8.25 x 8.25 inches, perfect-bound in printed card covers. Light edgewear and mild cover creases, otherwise very good. Two uncommon and related exhibition catalogues devoted to artists of color who.....
n.p. n.p., 1975. First printing. (6) pp., 8.5 x 11 inches. Printed offset on stiff card, saddle-stapled into printed self-wrappers. Photos by Alvin Comiter. Soiling to covers and small abrasion to spine fold; internally fine. An activity score in four parts, pairing verbal instructions with illustrative photographs, followed by an.....
n.p. n.p., 1975. First printing. (10) pp., 8.5 x 11 inches. Printed offset on stiff card, saddle-stapled into printed self-wrappers. Photos by Bee Ottinger. An Activity score in three parts, each part further divided into three sections comprising text and illustrative photographs. “WARM-UPS was carried out by a small group.....
New York: Putnam, 1920. Later printing. 217 pp., 8.5 x 11.25 inches. Printed cloth over boards. Disbound; see comments. This copy of the second printing of Kent’s first book was marked up by a designer to be used as (or to accompany) setting copy for a new edition, most likely.....
New York: Simon & Schuster, 1966. First printing. 576 pp., square 8vo. Cover portrait by Duane Michals. Light tanning and soiling to edges, and one area of fading to cloth, otherwise about very good, in a dust-jacket lacking a four-inch-wide by two-inch-deep piece at the crown of the spine (the.....
Osaka, Japan: Acetate, 2005. First printing. (106) pp., 4.5 x 5.5 inches. Wire-comb binding, with printed card covers. Trilingual (English, Swedish, & Japanese). Published in a limited edition as acetate005. Preface by Kenjiro Okazaki and introduction by the author; translated, with an afterword, by Takumi Taguchi. Illustrated by Mimi Gross.....
n.p. n.p., 2008. First printing. 72 pp., 8.5 x 10.5 inches. Perfect-bound in printed card covers. Illustrated in color throughout. Essay by Tobias Hoffmann of the Museum für Konkrete Kunst in Ingolstadt; short bio of artist, list of exhibitions, publications, and collections. Text in German and English. As new. Monograph.....
