Los Angeles: 1970. Second edition. (44) pp., 5.5 x 7 inches. Sewn signatures glued into printed card covers, in glassine dust-jacket. Second edition of 3000 copies (printed by Anderson, Ritchie and Simon), after the first edition of 700 copies published in 1965. Signed by the artist. A very fine copy.....
Lowell, MA: Bootstrap Press, 2006. First printing. 297 pp., 16mo. Positively Past Post-Modern Poet Series #4. One of 1000 copies, perfect-bound in illustrated wrappers. Including a section, "One Hundred People You Should Know," pairing quotes and excerpts from writers and artists with portrait drawings, on facing pages. Very light edgewear.....
London: The Tea Centre, 1958. First printing. 18.75 x 26.25 inches. Vintage color lithographic poster designed by Fornasetti, with a self-portrait of the artist placed in a sun-figure on a painter's palette. Two or three very small closed edge tears; a fine, bright copy that otherwise is essentially as new.....
Santa Monica, CA: Smart Art Press, 1996. First printing. (48) pp., 7 x 10 inches. Perfect-bound in printed card covers. Designed by Mark Stritzel. Illustrated with black-and-white photographs throughout. Corners bumped, and a small scar from label removal on back cover, otherwise very good. The catalogue of a three-day event.....
Portland, OR: Portland Art Museum, 1959. First printing. 10.5 x 4.25 inches (folded). Eight pamphlets, each printed on both sides of a large sheet, folded to make eight pages. Printed by Litho Art in Portland, in an unspecified edition, on the occasion of the Northwest Poetry Meetings held at the.....
Racine, WI: Wustum Museum, 1991. First printing. 24 pp, 7.75 x 11 inches. Saddle-stapled into printed card covers. Illustrated in color throughout. Essays by poet Toby Olson and curator Bruce Pepich (director of the Wustum Museum); catalogue compiled by Pepich and Caren Heft. Very light edgewear, and a tiny crease.....
![Item #4588 Photographic and Actual Works [with] Actual Size. Michael Heizer](/pictures/thumb/4588_1.jpeg?v=1657588466)
Detroit: Detroit Institute of Arts, 1971. First printing. (32) pp., 10 x 8 inches; (28) pp, 9.75 x 7.25 inches. Photographic and Actual Works: Slight toning and soiling to wrappers, tiny chip from corner of front wrapper and two tiny closed tears to rear wrapper, a few mild creases, generally.....
New York: Money for Food Press, n.d. (circa 1977). First printing. (12) pp., 6 x 6 inches. Stapled into printed card covers. Edition size not stated. Very light soiling and minor creases to the oversize wrappers; internally fine. Signed by both artists. Documentation of a series of actions carried out.....
Portland, OR: Author, 1992. Original work. 7.5 x 9.5 inches (image area). Pastel (oil crayon?) drawing on paper. Signed and dated in ink on reverse. Moisture stains to reverse, not affecting image, otherwise very good, in simple wood frame with a few small nicks and scrapes. The story that accompanied.....
New York: Bound & Unbound, 1991. First printing. 12.25 x 20 inches, silkscreen poster on cardstock, issued in a very small print run. Published on the occasion of a solo exhibition at Barbara Moore's Bound & Unbound shop & gallery. Very light scuffing to edges, not affecting image, otherwise very.....
Vancouver: Artspeak Gallery, 1999. First printing. (16) pp., square 12mo. Exhibition catalogue, with installation photos, drawings (on inside covers), essays by Susan Edelstein and Kathleen Ritter, and poems by Sarah Wakefield. Light soiling to covers, otherwise very good in saddle-stapled wrappers.
Rhinebeck, NY: Station Hill, 1978. First printing. Staplebound. Oblong 8vo, [14] pp., b/w illustrations. No. 499 of an edition of 750 copies. Wrappers faintly foxed, lightly edgeworn, corners lightly bumped; internally very good.
n.p. n.p., 1975. First printing. (10) pp., 8.5 x 11 inches. Printed offset on stiff card, saddle-stapled into printed self-wrappers. Photos by Bee Ottinger. An Activity score in three parts, each part further divided into three sections comprising text and illustrative photographs. “WARM-UPS was carried out by a small group.....
New York: Putnam, 1920. Later printing. 217 pp., 8.5 x 11.25 inches. Printed cloth over boards. Disbound; see comments. This copy of the second printing of Kent’s first book was marked up by a designer to be used as (or to accompany) setting copy for a new edition, most likely.....
New York: Simon & Schuster, 1966. First printing. 576 pp., square 8vo. Cover portrait by Duane Michals. Light tanning and soiling to edges, and one area of fading to cloth, otherwise about very good, in a dust-jacket lacking a four-inch-wide by two-inch-deep piece at the crown of the spine (the.....
Osaka, Japan: Acetate, 2005. First printing. (106) pp., 4.5 x 5.5 inches. Wire-comb binding, with printed card covers. Trilingual (English, Swedish, & Japanese). Published in a limited edition as acetate005. Preface by Kenjiro Okazaki and introduction by the author; translated, with an afterword, by Takumi Taguchi. Illustrated by Mimi Gross.....
n.p. n.p., 2008. First printing. 72 pp., 8.5 x 10.5 inches. Perfect-bound in printed card covers. Illustrated in color throughout. Essay by Tobias Hoffmann of the Museum für Konkrete Kunst in Ingolstadt; short bio of artist, list of exhibitions, publications, and collections. Text in German and English. As new. Monograph.....
Berlin: Martin Schmitz Verlag, 2002. First printing. 126 pp., 8vo. Bilingual text in German and English, with a biography and list of works. Illustrated in full color throughout. Light scuffing to covers, otherwise fine in glossy printed paper over boards. Kruse, whose work moves between painting, objects, installations, music, and.....
Portland, OR: Artist, 2020. Original work. (40) pp., 5.75 x 10.5 inches. Unique altered book, sewn into card covers collaged with cloth and paper. The latest collage book from Cynthia Lahti, best known for her ceramic and mixed-media sculptures and her drawings. Lahti has repurposed the July 1967 issue of.....
Lausanne, Switzerland: Editions des Massons, 1974. First printing. (55) pp., 8 x 8 inches. Perfect-bound in printed card covers. Published in collaboration with Yvon Lambert, and distributed in the USA by Artists’ Books Distribution Company, New York. Toning and very light edgewear to covers, otherwise essentially as new. Drawings, paired.....
New York, NY and Colombes, France: Multiples, Inc. and Générations, 1977. First printing. (78) pp., 8 x 8 inches. Sewn signatures glued into printed card covers. Light soiling and age-toning to edges of covers, and previous owner’s discreet name and date on half-title page, otherwise very fine and essentially as.....
Portland, OR: Author, 2012. Original work. 4 x 5.25 inches. Unique artist's book, titled, signed, and dated on the spine. Fine condition. Artist Gabriel Liston, whose paintings typically depict an unsentimental view of the world of children's experience, creates these one-of-a-kind "book tiles" by sewing shut copies of cheaply made.....
Portland, OR: Author, 2012. Original work. 4 x 5.25 inches. Unique artist's book, titled, signed, and dated on the spine. Fine condition. Artist Gabriel Liston, whose paintings typically depict an unsentimental view of the world of children's experience, creates these one-of-a-kind "book tiles" by sewing shut copies of cheaply made.....
Portland, OR: Author, 2012. Original work. 4 x 5.25 inches. Unique artist's book, titled, signed, and dated on the spine. Fine condition. Artist Gabriel Liston, whose paintings typically depict an unsentimental view of the world of children's experience, creates these one-of-a-kind "book tiles" by sewing shut copies of cheaply made.....
Portland, OR: Author, 2012. Original work. 4 x 5.25 inches. Unique artist's book, titled, signed, and dated on the spine. Fine condition. Artist Gabriel Liston, whose paintings typically depict an unsentimental view of the world of children's experience, creates these one-of-a-kind "book tiles" by sewing shut copies of cheaply made.....
