London: Longmans, Green, and Co., 1886. First edition. 197 pp., 5 x 7 inches. Decorated cloth over boards. Moderate wear to edges and corners, but with cover gilt stamping still bright; spine lettering slightly dulled, with one small darkened spot low on the spine; a few tiny spots of puckering.....
Paris; New York: Contact Editions; The Macaulay Company, 1926; 1929. First printings. 179 pp., 5.75 x 7.75 inches; 238 pp., 5.5 x 7.75 inches. Two volumes, housed in a custom-made two compartment box. The first edition is in the original binding of sewn signatures glued into plain wrappers, with a......
Portland, OR: Artist, 2021. First edition thus. (28) pp., 5.25 x 7.75 inches (closed). Altered book, with images printed over text pages, in an accordion binding attached at one end to the original cloth covers, in the original dust-jacket. Signed and numbered by the artist, in an edition of four.....
n.p. Pourboire Press, 1979. First trade edition. 85 pp., 5.5 x 8.25 inches. Sewn signatures glued into printed card covers. With a prefatory note by Robert Creeley, and back-cover photo of the author by Gerard Malanga. Warmly inscribed by the author to fellow poet Jane Glazer, and with Glazer's heavily.....
New York: n.p., 1978. First printing. 23 pp., 5.5 x 8.5 inches. Cover photo by Peter Van Riper; Multiplex hologram (pictured in the cover photo) by Lloyd Cross; inside photos by Babette Mangolte. Saddle-stapled into printed card covers. Covers lightly scuffed and soiled, and very mildly creased; internally about fine.....
London: Lovebooks Ltd., 1965. First printing. 80 pp., 6.5 x 8 inches. Perfect-bound in printed card covers. Edited by Barry Miles, with Ted Berrigan as New York editor. Minor toning and creasing to covers; title written neatly on unprinted spine, otherwise a very good, sound copy. An incredible transatlantic assemblage.....
Normal, IL: Dalkey Archive, 1993. First trade edition. (141) pp., 5.75 x 8.75 inches. Cloth over boards in printed dust-jacket. Illustrated throughout with reproductions of watercolor paintings by Francesco Clemente. First published in 1988 by Grenfell Press as a limited fine-press edition. As new. A book about masturbation: sixty-one short.....
Cambridge, UK: Golden Head Press, 1966. First printing. (6) + 11 pp., 8.75 x 11.25 inches. With a prefatory note by Raymond Lister. One of 225 copies, with plates printed in collotype; bound in quarter-cloth and paper over boards, with printed cover label. Mild bumps to corners and light soiling.....
New York: Dutton, 1969. First edition. 146 pp., 5.75 x 11 inches. Uncorrected proof, in plastic comb binding and printed card covers. Slight sunning to covers and mild rumpling to edges, otherwise very good and internally fine. A very uncommon state of this collaborative novel, reprinted several times since the.....
Lausanne, Switzerland: Editions des Massons, 1974. First printing. (55) pp., 8 x 8 inches. Perfect-bound in printed card covers. Published in collaboration with Yvon Lambert, and distributed in the USA by Artists’ Books Distribution Company, New York. Toning and very light edgewear to covers, otherwise essentially as new. Drawings, paired.....
n.p. n.p., 1975. First printing. (10) pp., 8.5 x 11 inches. Printed offset on stiff card, saddle-stapled into printed self-wrappers. Photos by Bee Ottinger. An Activity score in three parts, each part further divided into three sections comprising text and illustrative photographs. “WARM-UPS was carried out by a small group.....
New York, NY and Colombes, France: Multiples, Inc. and Générations, 1977. First printing. (78) pp., 8 x 8 inches. Sewn signatures glued into printed card covers. Light soiling and age-toning to edges of covers, and previous owner’s discreet name and date on half-title page, otherwise very fine and essentially as.....
Los Angeles: n.p., 1966 (1971). Second printing. (53) pp.; 5.5 x 7 inches (closed), 25 feet x 7 inches (open). Offset accordion-folded sheets, tipped together and glued into wraparound printed card covers, in reflective mylar over card slipcase. The second printing of 5000 copies, from 1971, without the additional flap.....
Hollywood, CA: Heavy Industry Publications, 1971. First printing. (63) pp., 5.5 x 7 inches. Perfect-bound in printed card covers. Photos by Jerry McMillan. Signed by the artist. A nearly immaculate copy; the slightest hint of sunning to spine and lower edge, but tight and bright and essentially as new. Photographs.....
Los Angeles: 1970. Second edition. (44) pp., 5.5 x 7 inches. Sewn signatures glued into printed card covers, in glassine dust-jacket. Second edition of 3000 copies (printed by Anderson, Ritchie and Simon), after the first edition of 700 copies published in 1965. Signed by the artist. A very fine copy.....
Honolulu: Bishop Museum Press, 1957. First printing. 606 pp., 7.25 x 10.5 inches. Cloth over boards in pictorial printed dust-jacket. With 350 illustrations in black and white. Scattered foxing to edges and first and last pages, and light wear to extremities of cloth, otherwise very good in a very good.....
Cleveland, OH: Bits Press, 1978. First printing. (32) pp., 5.75 x 8.75 inches. A Bits Chapbook. Printed letterpress and stapled into printed card covers. Cover illustration from a photoengraving (“zincograph”) reproducing a woodcut by William Blake (“for Thornton’s 1821 edition of Virgil”). Light rumpling to edges of oversized covers, and.....
Tokyo: Kajima Institute Publishing, 1979. First printing. 228 + 25 pp., 8.75 x 11.5 inches. Perfect-bound in printed wrappers. Illustrated throughout in color and black and white. Scattered light foxing to edges and cover, and mild wear to corners, otherwise very good; an internally fine, tightly bound copy, with no.....
Tübingen, Germany: J. G. Cotta, 1801. First printing. 161 pp., 5 x 8 inches. Rebound sans original wrappers in decorated paper over boards. The first printing (in Roman type), followed by a second printing in Fraktur later in the same year. Faint trace of ink stamp and erased ink notation.....
Bozeman, MT: Doring Press, 2019. First printing. (63) pp., 20.5 x 30.5 inches (box, closed), 39 x 29.5 inches (book, open). Layout, design, and printing in archival inks on Asuka paper by the artist, in an edition of eight numbered and signed copies. Landscape photographs and annotations by Ian van.....
New York: Norton, 1996. First printing. 6.5 x 9.5 inches, 205 pp. Very slight edgewear to jacket, otherwise essentially as new.
Tbilisi: Xelovneba, 1972. First printing. (104) pp., 9 x 11.75 inches. Gilt-stamped cloth over boards in printed dust-jacket. With 121 illustrations in color and black-and-white. Introduction by Andrei Konstantinovich Lebedev. Text in Georgian and Russian. Inscribed by the artist. Small tear near gutter of title-page spread, and slight age-toning of.....
(New York): The Little Red Hen Press, 1970. First printing. (6) pp., 8.5 x 11 inches. Side-stapled into printed wrappers. Printed by mimeograph. One of ten signed and numbered copies, out of a total edition of fifty. Mild darkening and foxing to edges of cover, and with a small stain.....
Berkeley, CA: Noah Ross, 2020. Original work. (8) pp., 3 x 4.75 inches. Typewriter and thread on single sheet folded to make eight pages, sewn into typewritten card cover. As new. Noah Ross uses modest means and humble materials — typed letters and symbols, colored thread, office papers — to.....
![Item #4598 Lo Specchio della Memoria [The Mirror of Memory]. Andrej Tarkovskij, Arsenij, Lev...](/pictures/thumb/4598_1.jpeg?v=1657588280)
Firenze: Edizioni della Meridiana, 2007. First printing. 71 pp., 9 x 9 inches. Sewn signatures glued into printed card covers. Illustrated with black-and-white photographs throughout. Text in Italian. As new. An exploration of childhood, and the transformation of memory into art. Thirty-eight photographs from filmmaker Andrei Tarkovsky’s childhood, focusing on.....
